A Jazz Drummer’s Fight to Keep His Own Heart Beating – Milford Graves

August of 2020 the New York Times posted an article by Corey Kilgannon about drummer Milford Graves who has amyloid cardiomyopathy (stiff heart syndrome) and how he is using the power of rhythm to keep himself alive. 

Below is an excerpt of the article.  This is a very interesting article that once again shows the power of rhythm.

Milford Graves, who lives in Jamaica, Queens, has amyloid cardiomyopathy, sometimes called stiff heart syndrome. In 2018, he was told he had six months to live.Credit…Mark Christman

Read the article: HERE

Mr. Graves believes that heart problems can be helped by recording a patient’s unhealthy heart and musically tweaking it into a healthier rhythm to use as biofeedback.Credit…George Etheredge for The New York Times

“By Corey Kilgannon (Published Aug. 5, 2020 – Updated Aug. 10, 2020)

In the 1960s, Milford Graves became a groundbreaking drummer in avant-garde jazz, but intertwined with his career had been his constant study of music’s impact on the human heart.

Now Mr. Graves, a 78-year-old who lives in Jamaica, Queens, has become his own subject: He has amyloid cardiomyopathy, sometimes called stiff heart syndrome.

Doctors have informed him that the condition, also called cardiac amyloidosis, has no cure. When he received the diagnosis in 2018, he was told he had six months to live.

Since then, Mr. Graves said, he has come close to death several times because of fluid filling his lungs. His legs too weakened to walk, he remains in a recliner in his living room with a tube feeding medicine to his heart and another draining fluid from his midsection.

But he has hardly surrendered to the illness. Although he is under the care of a cardiologist, he is also treating himself with the alternative techniques he has spent decades researching.

Since the 1970s, Mr. Graves has studied the heartbeat as a source of rhythm and has maintained that recording musicians’ most prevalent heart rhythms and pitches, and then incorporating those sounds into their playing, would help them produce more personal music.”

Mr. Graves playing the drums at a bookshop opening in 1965.Credit…Eddie Hausner/The New York Times